Adobe SpeedGrade CC reached end-of-life this week, as Adobe ceased all development on the powerful standalone color-grading application.
- Adobe Speedgrade Cc Free
- Adobe Speedgrade Cc 2014 – Color Grading Software For Beginners
- Adobe Speedgrade Cc 2014 – Color Grading Software Free
The move doesn't actually come as a surprise. Since Adobe acquired SpeedGrade in 2011, customers had often complained that the software was difficult for non-colorists to use, but Adobe never seemed particularly dedicated to updating or streamlining SpeedGrade itself. Instead, it worked on integrating some of SpeedGrade's color science in Premiere Pro's editor-friendly Lumetri color panel. Support for round-tripping with SpeedGrade was removed from Premiere Pro last summer, and now the Lumetri panel is where Creative Cloud users are now expected to do all of their color work.
In a blog post at Adobe.com, Senior Product Manager for Video Editing Patrick Palmer (at one time the COO of SpeedGrade's original developer, Iridas) said the use of Lumetri tools by Premiere Pro users has increased dramatically and 'the vast majority of SpeedGrade users' have migrated to the Lumetri Color panel, leading Adobe to abandon SpeedGrade and focus instead on the Lumetri panel. 'There's still a lot we plan to do to increase productivity for everyone working with color and light,' Palmer wrote, 'and we're also laser focused on keeping the promise of the Lumetri design approach true for all the emerging standards adding HDR and WCG to the pipeline.'
Adobe SpeedGrade CS6 color grading software brings the Lumetri Deep Color Engine to your production workflow. Open the full dynamic range of your footage through a sleek new interface.
The move underscores an industry trend away from point products that encourage rigidly segmented workflow and toward a paradigm that includes an improved range of VFX, color and audio tools inside the NLE. It's a great model for allowing editors to make a broad range of relatively simple color decisions quickly, but it doesn't sit well with SpeedGrade's committed power users, who now have to figure out an alternate workflow to manually render media out of Premiere Pro for use in a years-old version of SpeedGrade and then reverse the process to get media back into the NLE. (One user developed PrProBCC, a tool for converting Premiere Pro CC 2017 projects to work with versions of Premiere and SpeedGrade from 2015.)
Why I left my $200k job as a Software Developer - Duration. Color Grading with FilmConvert - Duration: 6:37. Mac lion download. Fenchel & Janisch 301,529 views. Tutorial Adobe SpeedGrade CC 2014 Part C. In this Color Grading and Adobe SpeedGrade CC tutorial I will be going over many different steps and software I use when color grading my projects in Speedgrade! I am not a pro colorist so take.
Another option, if the Lumetri panel just doesn't cut it for you, is to switch to another color-grading application, such as Blackmagic Design's powerful (and free!) Da Vinci Resolve, which becomes a more capable Swiss Army knife for post-production with every new release.
Adobe Speedgrade Cc Free
Adobe addressed some of the issues surrounding continued use of SpeedGrade in an FAQ posted at its support site. Users with an existing license for SpeedGrade CC 2015, the last released version of the software, can continue to use it, but it will not be available to new customers, Adobe said. SpeedGrade can still be used to open .ircp projects, which can be rendered to DPX or H.264. Looks can be exported from SpeedGrade to .look files or 3D LUTs, which enables interoperability with Premiere and Photoshop, as well as with software and hardware from other vendors.
Adobe Creative Cloud:www.adobe.com
Choosing a color correction software is not easy if you're a beginner. In its simplest form, the question runs like this: 'Which color correction or grading software will give me the best quality for the lowest price?'.
Turns out, even the built-in tools of most NLEs are good enough to create world-class grades, as I've explained earlier. What a beginner needs to understand is that the important color correction algorithms are mostly 'sorted out', and only vary in its details. The more relevant question is: Which software will fit into my workflow so I can get the most done in the least amount of time and expenditure.
This video and article will highlight the fundamental differences between ‘cheap' color correction or color grading applications. We look at:
- Third-party plugins like Colorista, Color Finesse, Symphony, Baselight Editions, etc.
- The built-in tools in most NLEs – like Levels, Curves, Three-way Color Corrector, etc.
- RAW converters like Redcine-X, Arri RAW Converter, Sony RAW Viewer, etc.
- DaVinci Resolve
- Adobe Speedgrade
We are not looking at which color tool which software has. That's futile. You can get the job done with any of these applications. Moreover, these tools are constantly evolving and getting better. Just because a feature isn't present today doesn't mean it won't be there tomorrow.
Comparison of color grading software
Adobe Speedgrade Cc 2014 – Color Grading Software For Beginners
Here's the video that goes over the fundamental differences between the cheap color correction applications:
Notes and Links:
- How to handle Bit Depth in Adobe Premiere Pro, After Effects and Speedgrade
- A Handy List of Adobe Premiere Pro Plugins
- The Adobe Premiere Pro to SpeedGrade Workflow
- Adobe Speedgrade CC Crash Course for Beginners
- DaVinci Resolve Crash Course for Beginners
How to select the right color correction tool?
Adobe Speedgrade Cc 2014 – Color Grading Software Free
Here's a quick chart for you to go over what we covered in the video (click to enlarge):
As you can clearly see, though we call all of these ‘color correction tools', they are profoundly different in the way they approach the task. It's like boxing. Not all boxers are equal. Strategy, skill and weight-class play a major role in the kind of events one takes part in. Boxers develop a style based on what best suits their body. Use your advantages, hide your disadvantages. That's exactly how choosing a color correction tool is like.
I primarily began by grading in After Effects, mostly using the built-in tools, and occassionally Color Finesse. It was the only way I could get 32-bit linear grading back then (Resolve wasn't free, and Adobe hadn't bought Speedgrade yet). It is only this year I've begun using Speedgrade, after Speedgrade got decent scopes and a better integration with Premiere Pro.
Icab 5 9 26. Here's my advice in a nutshell:
Adobe Creative Cloud:www.adobe.com
Choosing a color correction software is not easy if you're a beginner. In its simplest form, the question runs like this: 'Which color correction or grading software will give me the best quality for the lowest price?'.
Turns out, even the built-in tools of most NLEs are good enough to create world-class grades, as I've explained earlier. What a beginner needs to understand is that the important color correction algorithms are mostly 'sorted out', and only vary in its details. The more relevant question is: Which software will fit into my workflow so I can get the most done in the least amount of time and expenditure.
This video and article will highlight the fundamental differences between ‘cheap' color correction or color grading applications. We look at:
- Third-party plugins like Colorista, Color Finesse, Symphony, Baselight Editions, etc.
- The built-in tools in most NLEs – like Levels, Curves, Three-way Color Corrector, etc.
- RAW converters like Redcine-X, Arri RAW Converter, Sony RAW Viewer, etc.
- DaVinci Resolve
- Adobe Speedgrade
We are not looking at which color tool which software has. That's futile. You can get the job done with any of these applications. Moreover, these tools are constantly evolving and getting better. Just because a feature isn't present today doesn't mean it won't be there tomorrow.
Comparison of color grading software
Adobe Speedgrade Cc 2014 – Color Grading Software For Beginners
Here's the video that goes over the fundamental differences between the cheap color correction applications:
Notes and Links:
- How to handle Bit Depth in Adobe Premiere Pro, After Effects and Speedgrade
- A Handy List of Adobe Premiere Pro Plugins
- The Adobe Premiere Pro to SpeedGrade Workflow
- Adobe Speedgrade CC Crash Course for Beginners
- DaVinci Resolve Crash Course for Beginners
How to select the right color correction tool?
Adobe Speedgrade Cc 2014 – Color Grading Software Free
Here's a quick chart for you to go over what we covered in the video (click to enlarge):
As you can clearly see, though we call all of these ‘color correction tools', they are profoundly different in the way they approach the task. It's like boxing. Not all boxers are equal. Strategy, skill and weight-class play a major role in the kind of events one takes part in. Boxers develop a style based on what best suits their body. Use your advantages, hide your disadvantages. That's exactly how choosing a color correction tool is like.
I primarily began by grading in After Effects, mostly using the built-in tools, and occassionally Color Finesse. It was the only way I could get 32-bit linear grading back then (Resolve wasn't free, and Adobe hadn't bought Speedgrade yet). It is only this year I've begun using Speedgrade, after Speedgrade got decent scopes and a better integration with Premiere Pro.
Icab 5 9 26. Here's my advice in a nutshell:
- If I don't have time to leave the NLE, or if the client isn't paying for grading, I choose built-in tools or plugins.
- If I'm compositing, keying, etc., and the same holds true as above, then I use the built-in tools or plugins in After Effects.
- If the above holds true, but not all shots need to be graded, I use Color Finesse. It really is a joy to grade. Too bad I have to go back and forth for each clip.
- If all shots need to be graded, or if I'm shooting RAW or Log footage, then I will use Speedgrade (or Resolve, if that's what you prefer).
- I use RAW converters only if I'm using a specific camera and I need to create looks, dailies, etc., or I need to handle metadata.
Which do I prefer: Speedgrade or Resolve? Resolve is the most powerful, but Speedgrade is the fastest workflow for me because I own Adobe Creative Clouds. If you're looking to be a colorist, you have no choice. You must learn both.
As you progress in your career, you will start encountering these more expensive tools:
- Autodesk Lustre (usually restricted to a Smoke/Flame environment)
- Assimilate Scratch (rare, not as expensive compared to the rest of this list)
- SGO Mistika
- Quantel Pablo Rio
- Filmlight Baselight
- Digital Vision Nucoda
Most of these apps require high-end computer and processing hardware to perform well – but that holds true of any color grading software, doesn't it? It would be wrong to say they are not worth their prices (we're talking five figures or more here, US Dollars), because whoever is using them feels they are worth it.
The underlying reason why large post houses pay for these systems is the hardware and software support they get. You can't expect someone to take your $100,000 and not answer calls afterwards. It is extremely critical for these systems to perform day in and day out on highly demanding (DI, 4K and stereoscopic) content – that's not an easy task. Try to finish a 4K project in Resolve with a ‘decent' workstation and you'll see.
All things considered, if I were to advise a young colorist on software (for which I'm totally unqualified, so why are you listening to me?!), I would say: Pick DaVinci Resolve. You can't go wrong with it. The only thing I wish the free software included is the noise reduction capability of the paid version. Dmg canvas 3 0 99. It's a critical component of the finishing process.
I hope this article has helped you figure out which color correction software to pick, and when to pick it – with confidence. After that you're on your own.
